Ask any freelancer, be it editorial or another profession, and they will tell you how hard it can be. But they’ll tell you as many reasons for going freelance.
What do you get back after your edit or proofread?
One of the most frequently asked questions is: how long should my book be? This week, we’ll look at length (keep the jokes to yourself!).
This is going to be a little different from my normal blog posts. An occasional series of blogs, charting my journey to self-publishing. This isn’t my first self-publishing adventure: I first published in 2016. But now, having done lots of editorial training, I’m going back and re-releasing my first book.
Anything made up is fiction. Anything with facts is non-fiction. So what exactly is creative non-fiction and why does it need editing in the same ways as fiction?
You’re a self-publishing author? You’re on a limited budget. You want to make the most of editing and proofreading.
Here are five simple ways that you can do to make the most of any editorial experience.
Oh no! I’ve just realised thatfor the last eighteen chapters of misspelt the London Borough of Haringey as Harringay (a district within that same borough – it’s just asking for trouble isn’t it!).
We all know that names need capital letters. My name is Nick. See, there’s the capital ‘N’. I’m so important that I get a capital letter at the beginning of my name. That’s an easy example but it’s not always straightforward.
Genre is a lovely way for your local bookshop, library or internet retailer to classify and sort books. But as a writer, does genre really matter? Does worrying about genre mean you will pigeonhole yourself?
Is getting your manuscript perfect stopping you from moving forwards with it? Is a fear of it “not being right” preventing you from submitting to agents and publishers or even self-publishing?
Here’s why the dream of “perfection” might be holding you back and why good enough, is good enough.