It’s said that everyone has a book in them. And that’s probably true. More than one, possibly. We dream, we imagine, we say “what if?” and play out lots of scenarios in our heads.
Part memoir, part queer history book and part instruction manual, Dan Glass’s United Queerdom brilliant explains the struggle.
Just because the characters and the story have come from your imagination, there is still a place for fact in fiction. Getting that right is key – and is also just one of a number of things that your editor will be checking.
I’ve blogged before about some of the essential tools of the trade. And this is another vital book for any writer, editor or anybody else who regularly works with words.
“He taps on his cigarette to make the ashes fall, but he hasn’t smoked it enough. It’s a gesture intended to convey composure, but it only makes him appear more vulnerable.”
Every time I walk into a branch of a, well-known, discount chain, I am distracted by the massive sign they have above one of the aisles. It tells me that I can buy “DVD’s” there.
Authors have a great skill in crafting worlds that we, as readers, slip into so easily. We invest in the characters: feel their emotions, want the best for them.
So why then, did I become an editor and not a writer?
Cézanne, the artist, holds together the strands of multiple narratives in this ambitious debut novel.
From Beatrix Potter to E. L. James, the world of self-publishing is as old as publishing itself.
And to make your venture into self-publishing as successful as possible, here are a few hints and tips that I have learnt from my experience of working with both traditional publishers and self-publishing authors.
Well, I’m sure you’ve put your best frock on for this blog post but I’m not here to compliment you!
Instead, we’re going to look at all the different dashes and lines on your page, what the differences are and when you might use them.