What’s it all for? Why does editing or proofreading matter? Isn’t it just an unnecessary expense? My Auntie Bertha used to be an English teacher …
What do you get back after your edit or proofread?
You’re a self-publishing author? You’re on a limited budget. You want to make the most of editing and proofreading.
Here are five simple ways that you can do to make the most of any editorial experience.
“I need a proofreader!” cries the self-publishing author! But what is proofreading?
Not many editors will publicly discuss their rates. That’s not to be secretive or because we want to hide extortionate fees. It’s because there isn’t a one-budget-fits-all approach to pricing an editing or proofreading job.
I’ve blogged before about some of the essential tools of the trade. And this is another vital book for any writer, editor or anybody else who regularly works with words.
We are not going to look at apostrophes for possession today, perhaps I’ll cover that soon. Instead, we are going to look at apostrophes that are used for contractions: the shortening of words.
Often, as an editor, I’m asked about what’s right. People assume that there are rules, after all, language can’t be completely random can it?
Well, very often there is no right answer. It depends!
Let’s not get laissez-faire over this. There are rules! So, settle down with your café noir, if that’s your preference, and let’s discuss italics.
As a child, I used to love reading about the day in the life of different professions. Those books were great and gave you a real insight, albeit in a child friendly way, about those professions.