I’ve blogged before about some of the essential tools of the trade. And this is another vital book for any writer, editor or anybody else who regularly works with words.
Let’s not get laissez-faire over this. There are rules! So, settle down with your café noir, if that’s your preference, and let’s discuss italics.
Every time I walk into a branch of a, well-known, discount chain, I am distracted by the massive sign they have above one of the aisles. It tells me that I can buy “DVD’s” there.
Authors have a great skill in crafting worlds that we, as readers, slip into so easily. We invest in the characters: feel their emotions, want the best for them.
So why then, did I become an editor and not a writer?
From Beatrix Potter to E. L. James, the world of self-publishing is as old as publishing itself.
And to make your venture into self-publishing as successful as possible, here are a few hints and tips that I have learnt from my experience of working with both traditional publishers and self-publishing authors.
Well, I’m sure you’ve put your best frock on for this blog post but I’m not here to compliment you!
Instead, we’re going to look at all the different dashes and lines on your page, what the differences are and when you might use them.
My job is frequently portrayed as being about pedantry. The correct use of the comma, the correct use of subject, verb agreement, the correct spellings.
But that’s not always the case.
What is a “sensitivity reader” and how do you know if you need one? Do they provide a function outside of editing? What makes a sensitivity reader different from a beta reader?
Many people believe that English is full of rules that must not be broken. They are slaves to finding the “correct” version.
Whilst many words do have “correct” versions, there are many examples of words that need choices to be made and then applied consistently. Take, for example, the word “banister”, a pretty ordinary noun and one that you wouldn’t think twice about. Right?
Editing is not just about finding and correcting typos. Your editor may be able to do all sorts of things for your manuscript and for your writing: from correcting spelling and punctuation errors to plot and character development.